I think we're all mulling over how to best handle this
baggage-heavy material we have in front of us. I, for one, find myself stuck
because I'm so afraid of how to talk about, say, cobblestone without presenting
only a cliched Italian town, ya know? I think you've stumbled on something
worthwhile, though--
"A family of snails sleeps on the wall where Luca and
his friends rode bikes when they were our age." You might have a really,
really cool toggling piece inherent in this line/image. I'd love to see you
develop a scene with Luca (or any other Italian you've met, or one you make
up--though my sense is that you'll feel more grounded, less likely to dip into
a flat character if you base it on someone real) as a child juxtaposed with
either a.) the narrator as a child or b.) Luca/subject now. It would be a good
way of going at the subject of the history of a place like this without relying
on, well, actual history. It would offer you the opportunity to use the imagery
of the aqueduct (a very specific location) and imagery from home (again, I
would choose a very specific location—somewhere you/the narrator grew up).
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